If there were more tweakability it would probabily get a 9. A bit on the shrill side for blues but still pro. The tones are definetly heavier and meaner than Guitar Rig, and it is easier to get defined distortion with less tweaking than alot of other sims. After tweaking, the distortions sound either raw and edgy yet always tight, or fat and chunky but still defined. Overall Native Instruments Guitar Rig 3 gets a 5.8/10.Īmplitube 2/Amplitube Metal – Although still abit shrill and bee-like at first, the stock sounds are nicer than GR and this simulator’s advantage is that it really captures the air pushing effect the most out of all sims. Unless there is a different sound engine or a far improved one I am not interested in trying GR4 just for it’s new mic mixing options. gain was cranked and brightened up – in was more likely to cause much arachnophobia. So I found that after engineering tricks i could get acceptable tones – but the fidelity was always lacking, the mid tones were a bit plastic, and the distortion was not defined enough and too soft, but ironically. But the stock sounds are garbage buzzing. Guitar Rig 3 – When sims were weak a few years back, i settled for this. Here is a review of all the main amp simulators which have RTAS.
Well, I have tried pretty much every single amplifier simulator on the market which also has RTAS version – very important to have that available.
This is just one method that I know works well for me but remember there is BILLIONS of ways to get the sound you want. You can always “ Clone” your DI track and use quite a few tracks/FX Plugs to get what you’re looking for. So you run a Low Pass filter and tweak to cut out the disturbing EQ section. Record Guitar w/DI & Amp.Amp – What is missing you need?ĭI – Try to find something that has the properties of what’s missing from the “AMP” track in plug-in form.DI w/FX – Now it has the bottom end I want… but high end is clashing with “AMP” sound. You can get some AWESOME sounds this way in about any scope or genre you want. If you like one part of the sound from one source and one part of the sound from another source just try blending them, EQing out the band section of the sound you don’t like on each one or what ever tricks you might think to try. Now blend sounds with multiple tracks using Guitar Rig 3, Amplitude, Izotope Trash… or what ever plug-ins you like. ( You can run that track/FX loop out into an Amp/Pedal/Rack/Etc later if you want and record the colored sound.) If you can’t record multiple tracks just record the DI. Use the DI link and connect to an actual amp/pedal/rack/etc or your choice and record both the clean DI signal and the actual Amp/Pedal/Rack/Etc signal. Track multiple tracks ( IF you can.) using a DI box. This works really REALLY well for any guitar and bass situation that I’ve ran into.
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